Throughout the pre-production process, I worked very closely with David to ensure we were both on the same page regarding how we could best bring his story and vision to life. I constructed mood boards to represent each act of his three part story, which helped me to establish a colour palette, shooting style, and overall feel for how I could be representing each character.

After breaking down the script, I had initially begun to create a series of storyboards, but after spending a significant amount of time drawing and using an online storyboarding program, I found that my time was more productively spent establishing shot lists. Prioritising the shot lists allowed me to map out all camera technicalities, and I found that it allowed other crew members to understand the shots better than the previous storyboards had let them.

With David, I helped to create an equipment list, making sure we had included all lighting and camera necessities. As we had planned to shoot a number of contrastingly lit scenes, we realised upon booking equipment that we had left out a few pieces of sound equipment when booking, which emphasised to us the importance of ensuring all HODs are present in preparing the booking list in the future.

Also doubling as a co-Producer, I was in charge of creating shoot schedules, helping to secure crew, organising production necessities, and ensuring that crew were meeting deadlines outside of the shoot.